segunda-feira, 3 de fevereiro de 2025

DOS OUTROS | Programação 24/25 de MK:

 

 

 
De lá: «(...) For us, “Off to elsewhere” also means that we are reaping the fruits of four years of artistic work and are now presenting the next level of our international collaborations, each with their own idiosyncratic style! The new season launches with Chilean director Marco Layera taking a critical and humorous look at regional pride with “Mia san Mia” (We Are Who We Are), his Bavarian “Space Odyssey”. At the same time, Ukrainian director Stas Zhyrkov is presenting the harrowing story of Natascha Wodin, a woman who was born in Germany as the child of Ukrainian forced labourers and who traverses an entire violent century in search of her lost mother. The unfamiliar viewpoint of the lost who refuse to give up on their future runs as a common thread through the season. It is present in Kafka’s novel “Amerika”, an adaptation of which young director Charlotte Sprenger is producing as her Munich debut at the Schauspielhaus. In another debut, following his acclaimed guest performance “C la vie”, choreographer Serge Aimé Coulibaly is developing “Balau”, his first dance piece for a German public theatre, together with the Kammerspiele ensemble and guests. In addition, we have works by Henrik Ibsen, Klaus Mann and William Shakespeare in the hands of female directors and, of course, we are also looking to find our artistic “somewhere different” in our Munich home. With “Sauhund” by Lion Christ, we are casting our eyes back to the dazzling 1980s in the city. And in our vampire comedy “Oh Schreck!”, we are resurrecting the Kammerspiele star Max Schreck, who shone in his most famous role in the horror classic “Nosferatu” in 1922.

Enjoy and find lots to stimulate you in our new programme!

Barbara Mundel & Team».

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Allô, Poderes Nacionais - Centrais e Locais ( e estamos em ano de eleições) olhem só para aquela dimensão! De uma companhia que se apresenta assim:«The city’s theatre» -The Münchner Kammerspiele is the place for daring and contemporary theatre. We bring together outstanding artists who are working today and provide them with unique conditions to develop their work.

Being “the city’s theatre”, we have a special connection to Munich and its history. Right from its beginnings in the 1910s and 1920s, the Kammerspiele was a stage for the new and surprising. Up to the fascist seizure of power, it was a place of artistic resistance and a theatre with strong links to Eastern and Central Europe.

Today, the Kammerspiele is once again drawing on its founding traditions of the 1920s: our theatre brings new, previously unheard voices to the stage to address the pressing issues of our time. Our attitude is open, passionate and confident. We want to be a space in which the future can be debated, imagined and expressed.

At the heart of the Kammerspiele is our outstanding acting ensemble which reflects the diversity of society as a whole. Our theatre is run by over 300 employees. We are internationally renowned for the high quality both of our actors and our theatre departments whose artistic and technical know-how have been developed over decades.

The Münchner Kammerspiele has a multifaceted programme. We take up the issues that are important to the city’s inhabitants and place them in an international context. We develop new drama with writers with whom we have a relationship. We explore new artistic forms, for example with our “All Abled Arts” initiative: at the Kammerspiele, artists with and without impairments work together in the ensemble as well as in the disciplines of writing, directing and choreography. Many of the international collaborations we develop are sustainable and longstanding to enable us to create distinctive productions of the highest artistic quality.

The Münchner Kammerspiele strives to ensure accessibility for different audiences. We are dedicated hosts and seek to directly encounter our audience on many levels. As “the city’s theatre”, we are committed advocates of the values ​​of democracy and a pluralistic society. The Münchner Kammerspiele is constantly changing. The “city’s theatre” is a process rather than a settled state. We are a place for curiosity, encounters and reflection. A place for everyone living in Munich. (...)». Continue.

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Da Programação do muito em que se reparou isto: «(...)The unfamiliar viewpoint of the lost who refuse to give up on their future runs as a common thread through the season. It is present in Kafka’s novel “Amerika”, an adaptation of which young director Charlotte Sprenger is producing as her Munich debut at the Schauspielhaus. In another debut, following his acclaimed guest performance “C la vie”, choreographer Serge Aimé Coulibaly is developing “Balau”, his first dance piece for a German public theatre, together with the Kammerspiele ensemble and guests. In addition, we have works by Henrik Ibsen, Klaus Mann and William Shakespeare in the hands of female directors and, of course, we are also looking to find our artistic “somewhere different” in our Munich home. With “Sauhund” by Lion Christ, we are casting our eyes back to the dazzling 1980s in the city. (...)».
 
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A terminar:

«Let's preserve Munich's cultural diversity! The rich city of Munich has to save 243 million euros in the short term. We are all facing massive cuts in the areas of social welfare, education and culture. Culture is an essential component of our democratic civil society. For historical reasons alone, Munich has a very special responsibility to strengthen and protect it. Here in Munich, we live together in a diverse, modern urban society and need spaces for exchange and culture - especially in times of division and polarization. That is why we have founded the #MünchenistKultur alliance. Let's preserve Munich's cultural diversity together. Munich's diverse cultural offerings are based on the individual skills and high level of commitment of the specialized professionals in the various cultural sectors. The impending cuts threaten the already fragile structures of artists and institutions in all sectors, causing irreparable damage. As Munich's cultural scene, we stand together in solidarity. We will not allow ourselves to be driven into distribution battles.

Join us in appealing to Munich's city councillors to avert the planned cuts in the cultural sector. Let's work together with representatives from culture and politics to find long-term and sustainable solutions.
Become part of our alliance and sign our open letter HERE.». 

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QUE DINÂMICAS!

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