sexta-feira, 28 de junho de 2024

«FAIR PAY IN THE ARTS» | Para quem ainda não interiorizou que precisamos discutir o problema no nosso país tem no relatório do IETM um bom ponto de partida | PELA NOSSA PARTE HÁ MUITO QUE É UMA DAS NOSSAS CAUSAS: SABER QUAIS AS REMUNERAÇÕES QUE SE PRATICAM NO SETOR DA CULTURA (QUE NEM SABEMOS ONDE COMEÇA E ACABA) É ELEMENTAR | EM PARTICULAR ATENTE-SE NA SITUAÇÃO MISERÁVEL DE REFORMADOS/APOSENTADOS MAS TUDO COMEÇOU QUANDO ESTAVAM NO ATIVO

 

 

 
«Introduction 
Navigating the realm of artists’ working conditions is like exploring a colourful mosaic of concerns. From social security to labour relations, taxation, and artistic freedom, the landscape is complex and varied. While some issues fall under cultural ministries, others are managed by other government departments. In this intricate picture, cultural institutions, unions, and artists themselves all play vital roles. Finally, the perception of artists’ labour by the general public is also a massive factor in shaping policies and allocating budgets. 
Fair remuneration is an issue that intricately involves all of the aforementioned stakeholders. When legal frameworks are ineffective or non-existent, it depends on everyone’s stance and commitment. Collective bargaining can be a significant tool in the arts sector to regulate remuneration, reducing the number of low-paid workers. However, some countries lack comprehensive union practices, leaving certain sectors or types of workers, for instance freelancers, outside their scope or reliant on recommended minimum fees. In many places in the world, the lack of clarity, transparency, and shared understanding around remuneration in the arts continues to foster exploitative practices and undermine the sustainability of artists’ livelihoods and careers.
The consequences of the COVID-19 pandemic have made this debate unavoidable. Over 10 million cultural jobs have vanished, revealing and intensifying fragilities within the cultural sector1. Despite the implementation of numerous new policies and frameworks aimed at improving the situation, studies worldwide continue to identify structural deficiencies within the cultural ecosystem2. There is a need for concrete and ambitious actions that surpass mere declarations and partial measures.
Through this publication, our aim is to extract insights into the various roles that public funders, artists, unions, resource organisations, and institutions, can undertake in promoting and enacting fair pay practices. Furthermore, we aim to shed light on possible gaps in existing frameworks, as well as areas outside of regulations and legal enforcement. Our goal is also to discuss the various dilemmas within the fair pay debate that hinder positive change. 
 We gathered several examples of successful policies and advocacy processes and identified obstacles that may prevent the integration of fair practices into policies and everyday operations. Failure to address these challenges could potentially exacerbate existing gaps and create new ones. Looking at the various measures adopted in different countries (although the list is by no means exhaustive) and hearing from sector representatives, we advocate for a positive perspective on gradual changes and small-step approaches. At the same time, we also emphasise that it is important to be vigilant to ensure fair pay interventions do not merely fulfil checkboxes and stifle further debate. We hope that this exploration of pathways and nuances can enrich the fair pay discourse and assist arts advocates, funders, and policy-makers in crafting meaningful strategies tailored to their local and national contexts, or sparking this crucial conversation in areas where it has yet to happen».
 
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Para ajudar na reflexão, a questão que não paramos de trazer   para o Elitário Para Todos: como se chega às VERBAS do Orçamento do Estado para o Setor? E para  os designados APOIOS através da DGARTES? A reivindicação «1% para a Cultura» tem lugar mas não chega. Uma maneira para olharmos par o problema é não passarmos ao lado de situações  miseráveis em que se encontram profissionais reformados/as...
 
 

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