«Executive summary
This report maps the social dialogue situation in the commercial live performance sector in five European countries: Bulgaria, Czechia, Poland, Romania and Serbia. The sector covers all music, theatre, dance, circus and similar live performance activities run by private for-profit or not-for[1]profit entities operationally not fully dependent on the public sector even if partly rely on public subsidies.
Precise statistics on the size of the sector in question are not available but existing data point to employment totalling around 100,000 in the five countries, while the number of entities concerned by far exceeds that of public institutions in the sector.
Live performance entities take on a variety of legal forms: from businesses registered under different regimes, to one-person companies, non-governmental organisations and informal groups. It is not uncommon to find the same organisation simultaneously using different legal forms. The large majority of organisations are small, both in terms of employment and financial resources.
Work relations between organisations and individual performers are governed by many different contract types. Regular employment contracts are rare, and the most commonly used contractual arrangements are the ones typical for project-based work, e.g. based on civil law or laws regulating intellectual property rights. The extent of voluntary work and informal work is substantial. Individual performers typically work with several organisations. The scarcity of regular employment contracts translates into often precarious situations concerning social insurance. (...)».
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